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Highly recommended. Write a Review. Author 7 books followers. If you ever get the chance, hear her read her poetry. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis. Email Print. Often in these poems humour acts as a cover for heartbreak; silliness becomes moving. Do read. She manages to build you an image in your head of every single poem. This is not the kind of poetry that I normally read, and I must admit to being put-off initially by the more explicit and provocative lines. Some very good love poems, which is kind of a hard challenge sometimes, to walk the line between overly whimsical and clunky, but she does it. Buy this book via Amazon Buy this book from Waterstones Declaration: I received a free copy of this book from the publisher. Absurd and overwhelming, but accurate and revealing - just like love is. Luísa tolkientoyou. The imperative to be correct is the great failure of the left Sometimes you just want to wash iceberg lettuce in quiet despair.

Author 13 books 32 followers. But at the same time, the poems suggest, if romantic cliché what you have to build with — then build with romantic cliché. Share this: Tweet. Subscribe to Blog. MFer Photography. Bird has this wonderful way of being absolutely hilarious then punching you in the gut with emotion and melancholy. Create a free account to discover what your friends think of this book!

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If you ever get the chance, hear her read her poetry. This is a book I will finish over and over again and immediately restart. We invite and pay emerging poetry reviewers to focus their critical skills on the small press, pamphlet and indie publications that excite us the most. This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences. And it's not. About the author. Cristina Morariu. The imperative to be correct is the great failure of the left Sometimes you just want to wash iceberg lettuce in quiet despair. Highly recommended. Whatever it is, there is something unique and a little bit addictive in these poems.

Pamper Me to Hell & Back | Hera Lindsay Bird | London Review Bookshop

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• Fame, the moon, meaninglessness.
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Jump to ratings and reviews. Want to read. Buy on Amazon. Rate this book. Hera Lindsay Bird. Love, death, Bruce Willis, public urination, being a woman, love, The Nanny, love. This pamphlet of poetry by Hera Lindsay Bird is a startling departure from her bestselling debut Hera Lindsay Bird by defying convention and remaining exactly the same, only worse. Loading interface About the author. Hera Lindsay Bird 4 books followers. Born in Thames. Write a Review. Create a free account to discover what your friends think of this book! Community Reviews. Search review text. Displaying 1 - 30 of 69 reviews. If I priced per page, this very slim volume is the most expensive book I have ever bought! Totally worth it. Highly recommended. Cally Mac.

P amper Me to Hell and Back is full of confessional, provocative and occasionally explicit poems, written in a conversational style with a bleak outlook on life. Many of the poems are surreal, whilst some feel more like Pampers 6 ile kilo posts, and others seem designed to be performed as spoken word, pamper me to hell and back. This sets the scene for a collection which is both humorous and disconcerting, light-hearted and satirical. It also reveals the underlying themes of mortality, love and the relentless monotony of life. This is not the kind of poetry that I normally read, and I must admit to being put-off initially by the more explicit and provocative lines. Perhaps pamper me to hell and back is the interminable onslaught of surprising almost ridiculous imagery, or the self-deprecating humour that runs throughout. Whatever it is, there is something unique and a little bit addictive in these poems. Other poems seem to be anti-love poems. There are some more straightforward love poems too.

Pamper me to hell and back. Pamper Me to Hell & Back

Part of that infectiousness comes from their strikingly idiomatic style, characterised by several traits: an informality informal to the point of ritual; short to mid-length declarative sentences, stripped of any formal expression of the strong feelings they describe; a conspicuous lack of lyricism; the deadpanning of great misery and joy. Fame, the moon, meaninglessness. Well, where historically poets have refined their language towards poetic diction and metre — and risked being programmatic and melodically repetitive as a result — Bird refines her language towards an imitation of vernacular usage. But Bird is never those things, in the same way Tennyson is never jakie pieluchy na pępek metrical, pamper me to hell and back. The other striking formal features are the barrage of similes and the frequent ellipses — both taken straight out of the poems of Chelsey Minnis. The sheer reach and imaginative variety is striking, but… is that variety part of any form? Or the other way round. Probably the other way round. The very light which makes pamper me to hell and back blossom visible also renders it sarcastic, bitter and mean. This poetry neither needs nor wants to venerate the manufacture of apt metaphysical equivalences. Rather, it wants to make a kind of metaphorical soup — with a bunch of tenors and a bunch of vehicles swilling around, bumping into each other with little clangs of humour or insight — by force of density more than precision. The grand austere aha! We see the same mockery regarding the abandon of being in love when Bird writes.

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And it's not. I feel like I have found my poet soulmate.